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Hace 1 día · El drama apocalíptico de Lars von Trier “Melancholia” se inspira en gran medida en el cuadro prerrafaelita “Ofelia” de John Everett Millais. El cuadro, que representa a la Ofelia de Shakespeare flotando serenamente en un arroyo justo antes de morir, encuentra un poderoso eco en la secuencia inicial de la película.
29 de abr. de 2024 · John Everett Millais descubrió a Lizzie en un comercio y la hizo su musa: Elizabeth es la etérea Ofelia de su célebre cuadro. Otro prerrafaelista Dante Gabriel Rossetti, se enamoró...
25 de abr. de 2024 · i. Un drame shakespearien. Entre 1851 et 1852, John Everett Millais (1829–1896) peint, à seulement 22 ans, ce qui s’imposera comme l’un des grands chefs-d’œuvre du préraphaélisme : Ophélie. Étendue dans ce qui ressemble à un cours d’eau, une jeune femme vêtue d’une longue robe brodée de fils d’argent, se laisse emporter par le courant…
8 de may. de 2024 · La imagen de Evelyn, por su belleza, nos podría recordar a la de ‘Ofelia’ de John Everett Millais (1852). ... provocadoras corrientes y obras del mundo del arte.
Hace 4 días · The style that Hunt and Millais evolved featured sharp and brilliant lighting, a clear atmosphere, and a near-photographic reproduction of minute details. They also frequently introduced a private poetic symbolism into their representations of biblical subjects and medieval literary themes.
23 de abr. de 2024 · John Everett Millais, Ophelia, 1852, Tate Britain, London, UK. This painting is one of the most beautiful works of Millais, and one of which made it very popular in the times of the Pre-Raphaelite Brotherhood. His inspiration comes from the play Hamlet, one of the main tragedies of the English writer.
23 de abr. de 2024 · She was featured in William Holman Hunt’s A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids (1849–50) and most famously in John Everett Millais’s Ophelia (1851–52). It was during her contribution to the latter painting, that she fell ill. Beauty was a matter of pain for Millais, too.
