Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. The picture in question was Willem de Koonings Woman, I (1950–52). Though it was one of a series of six oil -on- canvas paintings centered upon a single female figure that de Kooning had worked on from 1950 to 1953, Woman, I received the most attention.

  2. 4 de abr. de 2013 · Woman I de William de Kooning. Esta obra la realizó William de Kooning entre los años 1950 y 1952, y en la actualidad está expuesta en el Museum of Modern Art de Nueva York, más conocido con el acrónimo MoMA.

  3. Title: Woman, I. Artist: Willem de Kooning (American (born The Netherlands), Rotterdam 1904–1997 East Hampton, New York) Date: 1950–1952. Medium: Oil on canvas. Dimensions: 75 7/8 × 58 in. (192.7 × 147.3 cm) Classification: Paintings. Credit Line: The Museum of Modern Art, New York. Purchase, 1953.

  4. en.wikipedia.org › wiki › Woman_IWoman I - Wikipedia

    Woman I is an 1950 Abstract Expressionist painting by American artist Willem de Kooning. The work is in the collection of the Museum of Modern Art, in New York. History. Willem de Kooning painted Woman I over two years, from 1950 to 1952. He executed numerous preliminary studies before beginning the painting, starting over several times.

  5. Wilem De Kooning no abandona el lenguaje del expresionismo, pero lo descarga de significado, le quita protesta y agresividad, el contenido social que tenía en Europa. Ayudado por el ejemplo de Picasso, libera al expresionismo de los temas figurativos y sustituye el Expresionismo figurativo por un Expresionismo abstracto.

  6. De Kooning took an unusually long time to create Woman, I, making numerous preliminary studies and repainting the work repeatedly. The hulking, wild-eyed subject draws upon an amalgam of female archetypes, from Paleolithic fertility goddesses to contemporary pin-up girls.

  7. Between 1950 and 1953, de Kooning made the series for which he is best known, the Women, and this painting from approximately 1952 is a fine example of the subject. The small scale of this painting on paper belies both the potency of the iconic image and the dramatic dynamism of the vigorous, gestural brushwork.