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3 de ago. de 2020 · In Costume History and Style (1983), Douglas A. Russel defines the falling band: “Falling band: Wide, flat collar, known as the Louis XIII collar, of sheer white fabric, with or without lace edge. Bands diminished in size from about 1640.” (494) Falling bands were very large in the 1620s and 1630s.
26 de oct. de 2011 · Collars and Falling Bands. Evidence is thin for any clothes in the 1640s but in particular for accessories. Generally though it seems for most that some kind of linen was worn around the neck between the standing collar of the doublet or coat and the bare skin.
Learn more about this artwork. Details. Title: Falling band (collar) with tassels. Date Created: ca. 1660–65. Physical Dimensions: Overall: 6 1/2 x 32 in. (16.5 x 81.3 cm) Type: Collar....
18 de dic. de 2018 · Moving onto the 1600s however, you would have seen the transition towards the falling band collar, a much subtler lacy decoration that was sometimes worn by high ranking officers and commanders. Jumping ahead to the 19th century; the more decorative, ruffled collars were labelled as non-masculine and became a thing of the past.
Title: Falling band (collar) with tassels. Date: ca. 1660–65. Culture: Italian, Venice. Medium: Linen; needle lace. Dimensions: Overall: 6 1/2 x 32 in. (16.5 x 81.3 cm) Classification: Textiles-Laces. Credit Line: Gift of Mrs. Edward S. Harkness, 1930. Accession Number: 30.135.152
The falling bands, worn 1540s to 1670s, could take three forms. Firstly, a small turned-down collar from a high neck-band, with an inverted v-or pyramidal-shaped spread under the chin and tied by band-strings sometimes visible but usually concealed. They were plain, or lace edged.
By the mid-seventeenth century, when clothing styles were more subtle and understated, the band was more popular and it came in two primary styles: the standing band and the falling band. Both bands were forms of collars and were either part of a shirt or bodice, or attached to the shirt or bodice with small ties.
