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  1. Why Am I Treated So Bad! is an album by the Cannonball Adderley Quintet, recorded at the Capitol Studios in Hollywood in 1967. [4] [5] The song "I'm on My Way", was written by his nephew Nat Adderley Jr., who at the time was an 11-year-old living in Teaneck, New Jersey. [6]

  2. Why (Am I Treated So Bad) Cannonball Adderley Duration: 7:59. Highlighting Joe Zawinul's Fender Rhodes work on Cannonball Adderley and the Nat Adderley Sextet's "Why" from Walk Tall: The David Axelrod Years. Related: Ten Supreme Fender Rhodes Albums. Recommended by Michael Ricci.

  3. Cannonball Adderley Why Am I Treated So Bad (Joe Zawinul kills it on the electric piano) Share Sort by: Best. Open comment sort options. ... both humorous and sad. So grab your Pogs, Surge cans and Thriller cassettes, and we'll see you in /r/nostalgia! Members Online. Real Genius -One of the best comedies of the 80s youtube

  4. en.wikipedia.org › wiki › Joe_ZawinulJoe Zawinul - Wikipedia

    Josef Erich Zawinul (/ ˈzɒvɪnəl / ZOV-in-əl; 7 July 1932 – 11 September 2007) [1][2] was an Austrian jazz and jazz fusion keyboardist and composer. First coming to prominence with saxophonist Cannonball Adderley, Zawinul went on to play with Miles Davis and to become one of the creators of jazz fusion, a musical genre that combined jazz with rock.

  5. 19 de jun. de 2019 · “Pops” Staples’s classic Why Am I Treated So Bad? is prefaced by Cannon saying how much he identifies with the song … no doubt mainly a reference to racism but possibly also hinting at the critical negativity. It’s a feature for Zawinul, who switches to electric piano.

  6. Letra de Why (Am I Treated So Bad) de Joe Zawinul.

  7. rateyourmusic.com › the-cannonball-adderley-quintet › why-am-i-treated-so-badWhy Am I Treated So Bad! - Rate Your Music

    Released in May 1967 on Capitol (catalog no. ST 2617; Vinyl LP). Genres: Soul Jazz. Featured peformers: Nat Adderley (cornet), Cannonball Adderley (alto saxophone), Joe Zawinul (piano, electric piano), Victor Gaskin (bass), Roy McCurdy (drums), David Axelrod (producer), Ed Simpson (photography).