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3 de ago. de 2020 · In Costume History and Style (1983), Douglas A. Russel defines the falling band: “Falling band: Wide, flat collar, known as the Louis XIII collar, of sheer white fabric, with or without lace edge. Bands diminished in size from about 1640.” (494) Falling bands were very large in the 1620s and 1630s.
26 de oct. de 2011 · Collars and Falling Bands. Evidence is thin for any clothes in the 1640s but in particular for accessories. Generally though it seems for most that some kind of linen was worn around the neck between the standing collar of the doublet or coat and the bare skin.
The most common neckwear was the falling band collar. The band was made of starched linen or lawn, turned down over the shoulders forming an inverted V-shape at the throat. This band increased in size, broadening across the shoulders, throughout the coming decade.
Most popular in the sixteenth century were the ruff, a stiffly frilled collar that encircled the neck, and the whisk, a wide fanned collar around the back of the neck. By the mid-seventeenth century, when clothing styles were more subtle and understated, the band was more popular and it came in two primary styles: the standing band and the ...
Most popular in the sixteenth century were the ruff, a stiffly frilled collar that encircled the neck, and the whisk, a wide fanned collar around the back of the neck.
Details. Title: Falling band (collar) with tassels. Date Created: ca. 1660–65. Physical Dimensions: Overall: 6 1/2 x 32 in. (16.5 x 81.3 cm) Type: Collar. External Link:...
18 de dic. de 2017 · Unlike the structures made from board and silk, the rebato, with its intricate wire motifs, loops and scallops was both a collar support and a decorative neck ornament. There are well preserved examples of these stiffened collar supports in many museums in Europe.
