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  1. Hace 4 días · Cuando finalmente llegó a Cannes en 1971, bajo órdenes directas tuvo que estrenarse a las 4:00 a.m. En una especie de tregua con el régimen soviético, Tarkovsky filmó Solaris (1972), una pieza de ciencia ficción que, en tanto incapaz de trascender el género, sintió malograda.

  2. Hace 2 días · Andrei Tarkovsky Los 'blockbusters' favoritos de los directores más intelectuales El director: Más ruso que un samovar, y más serio que Vladimir Putin en un día nublado, Tarkovsky afirmaba que ...

  3. Hace 2 días · Solaris (1972) – A obra de Andrei Tarkovsky examina a psique humana através da experiência de um astronauta em um planeta distante. A profundidade filosófica do enredo e sua narrativa não convencional se destacaram em sua época. 4. Laranja Mecânica (1971) ...

  4. www.moriareviews.com › sciencefiction › stalker-1979Stalker (1979) - Moria

    Hace 5 días · Tarkovsky’s reputation grew with the SF film Solaris (1972) and Stalker, both of which received a worldwide release, as well as the autobiographical works Mirror (1975) and Nostalghia (1983), Tarkovsky’s final film, made after he had become a Soviet dissident, was another fantastical work The Sacrifice (1986) where Max Von Sydow prays to ...

  5. Hace 3 días · Hey Reservos! This week we are discussing Andrei Tarkovsky’s Sci-fi classic, Solaris. Listen as we breakdown this uniquely philosophical, poetic, and introsp...

  6. Hace 5 días · ReFocus: The Films of Andrei Tarkovsky offers theory-based approaches to the life and work of the Soviet Russian film director Andrei Tarkovskii (1932–1986). Drawing on the works of philosophers, cultural theorists and psychoanalysts, the volume strives to contribute to the often under-theorised research on the filmmaker.

  7. Hace 3 días · Steven Soderbergh’s only science-fiction movie to date is, perplexingly, a remake of Andrei Tarkovsky’s masterpiece Solaris (1972). Despite initial reluctance from audiences to approach the movie with an open mind, Solaris won out against its critics (for the most part) by leaning into Soderbergh’s gritty yet visually awe-inspiring directorial style and has stood the test of time.