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Niccolò de' Niccoli (1364 - 1437), humanista italiano cuya colección de manuscritos fue la base de la Biblioteca Laurenciana de Florencia . Nació y murió en Florencia, y fue una de las figuras principales de la compañía de hombres eruditos que se reunieron alrededor del patrocinio de Cosme de Médici. Los principales servicios de Niccoli ...
Niccolò Niccoli (born c. 1364, Florence—died Feb. 3, 1437, Florence) was a wealthy Renaissance Humanist from Florence whose collections of ancient art objects and library of manuscripts of classical works helped to shape a taste for the antique in 15th-century Italy.
Niccolò de' Niccoli (1364 - 1437), humanista italiano cuya colección de manuscritos fue la base de la Biblioteca Laurenciana de Florencia. Muestra de la escritura cursiva de Niccoli. Nació y murió en Florencia, y fue una de las figuras principales de la compañía de hombres eruditos que se reunieron alrededor del patrocinio de Cosme de ...
26 de jun. de 2012 · Niccolò Niccoli (b. c. 1364–d. 1437) is one of the more intriguing figures of early Italian humanism. One of the scholars interested in the revival of Antiquity who gathered around Cosimo de’ Medici in Florence, Niccoli accumulated an enormous library, which he made freely available to others and used himself in an effort to secure ...
Niccolò de' Niccoli (1364 – 22 January 1437) was an Italian Renaissance humanist . He was born and died in Florence, Italy, and was one of the chief figures in the company of learned men which gathered around the patronage of Cosimo de' Medici.
Niccoli fu un grande ricercatore di codici greci e latini insieme all'amico Nicola Cusano e si fece spesso promotore delle ricerche di altri, come nel caso dei cardinali Niccolò Albergati e Giuliano Cesarini, per i quali preparò nel 1431 l' Itinerarium o Commentarium, che consisteva in un elenco di autori latini che dovevano essere ricercati nei...
For Niccoli, the intellectual legacy of the late Middle Ages had to be rejected upfront; then a new society could be created on the model of classical antiquity. The chapter argues that Niccoli’s notorious aversion to politics was simply an aversion to oligarchic politics and culture.
