Resultado de búsqueda
Three decades later it was given by Woolner to the sitter’s wife Clara Stephens, according to the label cited above. On Clara Stephens’s death in 1915, the work passed to her son, engineer Holman Frederic Stephens, who in 1927 offered it to the director of the National Portrait Gallery, writing as follows:
1 de sept. de 2016 · The time is ripe for Stephens’s paintings and drawings to receive the same treatment; art history has progressed beyond the simplistic notion that ‘bad’ art (deemed bad by previous historians) is unworthy of any kind of analysis. Frederic George Stephens, Mother and Child, c. 1854. Oil on canvas (unfinished), 47 x 64.1 cm. Tate ...
The artist and critic F. G. Stephens was a student at the Royal Academy Schools and founder member of the Pre-Raphaelite Brotherhood. His attempts to paint an historical picture for exhibition in the late 1840s and early 1850s ended either in abandonment or rejection, and his only exhibited works were the portraits of his parents shown at the Academy in 1852 and 1854.
Frederic George Stephens (1827 – 9 March 1907) was an art critic, and one of the two 'non-artistic' members of the Pre-Raphaelite Brotherhood. Stephens was born to Septimus Stephens of Aberdeen and Ann (née Cooke) in Walworth, London and grew up in nearby Lambeth. Because of an accident in 1837, he was physically disabled and was educated privately.
Frederic George Stephens (ur. 1827 lub 1828 w Londynie, zm. 9 marca 1907 tamże) – brytyjski krytyk i historyk sztuki, jeden z siedmiu członków Bractwa Prerafaelitów. W 1844 roku zapisał się do Royal Academy of Arts, gdzie spotkał Johna Everetta Millais'go i Williama Holmana Hunta.
Frederic George Stephens. Born 10th October 1827, Walworth. Art critic and historian. He entered the Royal Academy Schools in 1844 where he met Millais and Holman Hunt with whom he joined to found the Pre-Raphaelite Brotherhood in 1848. He realized he was not going to succeed as a painter and destroyed all but six of his works.
Fig. 3: Frederic George Stephens, Charles Bridger, 1855. Oil on canvas (unfinished), 12.8 x 11.5 cm. Formerly Tate collection, present whereabouts unknown. Fig. 4: Frederic George Stephens, The Proposal (The Marquis and Griselda), 1850–1. Oil on canvas, 80.6 x 64.8 cm. Tate. Fig. 5: Frederic George Stephens, Dethe and the Riotours, 1848–54 ...
