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  1. Cristhian Ávila. Sculpting the body with tape, shadow-play, and boxed wine all provide material for the exploration between human want, both natural and contrived. The performance deals with the themes of transformation and desire.

  2. Given over to want = Entregados al deseo. Bustamante, Nao, La Fountain-Stokes, Lawrence M. (Lawrence Martin), 1968-, Oquendo, Carmen, Hemispheric Institute of Performance and Politics, Hemispheric Institute Encuentro (7th : 2009 : Bogotá, Colombia)

  3. Given Over to Want. Sculpting the body with tape, shadow-play, and boxed wine all provide material for the exploration between human want, both natural and contrived. The performance deals with the themes of transformation and desire.

  4. www.hemisphericinstitute.org › hemi › enGiven Over to Want (2009)

    Sculpting the body with tape, shadow-play, and boxed wine all provide material for the exploration between human want, both natural and contrived. The performance deals with the themes of transformation and desire. The precariousness of citizenship crumbles into an image as primordial as it is hungry, both fully human and fully alien.

  5. Given Over to Want. Venues include: Movimento de Arte y Cultura Latino Americana (MACLA), San Jose, California, August 23, 2007. Vestuary Operatics, St. Anthony’s Church, Albany, New York, June 23, 2007. Escuela Nacional de Artes Pasticas and organized by the Museo Univeritario del Chopo, Performagia, Mexico City, May 17, 2007.

  6. 6 de dic. de 2021 · Los Angeles-based artist Nao Bustamante has admitted to even skipping her annual visit with the gynecologist at times to avoid the discomfort of the experience. 1 But after a revelatory pelvic exam in 2011, Bustamante decided to act, positioning herself at the helm of what she hopes will be the most significant redesign of the vaginal speculum ...

  7. This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. An interview with Nao Bustamante conducted 2020 July 3, by Josh Franco, for the Archives of American Art's Pandemic Oral History Project at Bustamante's ho.