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  1. 18 de jul. de 2021 · Cindy Sherman’s artworks seem to demonstrate this performance of gender by depicting stereotypical images of women that can also be seen in movies. The pictures illustrate the performative act of “being female” through Sherman’s changing use of wigs, make-up, and clothing.

  2. 2 de jun. de 2016 · In the 1991 essay “A Phantasmagoria of the Female Body,” theorist Laura Mulvey contextualized Sherman’s work within the prevailing feminist modes of thought at the time. When Sherman arrived on the scene, it marked the “end of that era in which the female body had become, if not quite unrepresentable, only representable if refracted ...

  3. Each image is built around a photographic depiction of a woman. And each of the women is Sherman herself, simultaneously artist and model, transformed, chameleon-like, into a glossary of pose, gesture and facial expression.

  4. Cindy Sherman. For four decades, Cindy Sherman has probed the construction of identity, playing with the visual and cultural codes of art, celebrity, gender, and photography. She is among the most significant artists of the Pictures Generation—a group that also includes Richard Prince, Louise Lawler, Sherrie Levine, and Robert Longo —who ...

  5. Sherman's art in an internal-subversion parodically repeats arche-images of patriarchal visual mythology responsible for the cultural construction of the feminine gender. By revealing the artificial constructedness of gender, Sherman helps female spectators recognize their misrecognition as feminine subjects, interpellated by phallogocentric

  6. Each image is built around a photographic depiction of a woman. And each of the women is Sherman herself, simultaneously artist and model, transformed, chameleon-like, into a glossary of pose, gesture and facial expression. As her work developed between 1977 and 1987. a strange process of metamorphosis took place.

  7. Cindy Sherman’s Untitled Film Stills is a suite of 70 black-and-white photographs made over the course of three years in which the artist posed in the guises of various generic female film characters, among them, ingénue, working girl, vamp, and lonely housewife. Staged to resemble scenes from 1950s and 60s Hollywood, film noir, B movies ...