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"The Origin of the Work of Art" (German: Der Ursprung des Kunstwerkes) is an essay by the German philosopher Martin Heidegger. Heidegger drafted the text between 1935 and 1937, reworking it for publication in 1950 and again in 1960.
In order to discover the nature of art that really holds sway in the work let us approach the actual work and ask it what and how it is. Everyone is familiar with artworks.
In The Origin of the Work of Art Heidegger questions what he sees as the traditional notion of aesthetics wherein an artwork is an object which has its origin in the artist. In his own thinking on art he stresses the importance of conceiving of art as a 'work' rather than as an object.
Based upon lectures de-. livered in Zurich and Frankfurt in the mid- 1930's, it was Heidegger's first major work in aesthetics and offered a novel, compelling approach to the study of beauty and art. In the essay, Heidegger departed from earlier theories concerning the essence of art, re-.
4 de feb. de 2010 · In “The Origin of the Work of Art,” Heidegger suggests that modern subjectivism and late-modern enframing can be understood as symptoms of Western humanity’s continuing inability to accept our defining existential finitude.
27 de jun. de 2024 · “The Origin of the Work of Art”, begun in 1935 but not published in full until 1960 – in other words, it spans the whole of the period in question – is Heidegger's most sustained treatment of art, and it is that text that this chapter focuses on.
‘The Origin of the Work of Art’: Heidegger Patrick Hutchings Published online: 13 September 2012 # Springer Science+Business Media B.V. 2012 Abstract Professor Max Charlesworth and I worked, at Deakin University, on a course, 'Understanding Art'. Max was interested in the Social History of Art and in art as: 'giving form to mere matter'.
