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25 de jun. de 2024 · De bezette stad, de vierenhalf uur durende documentaire-essay van Steve McQueen en Bianca Stigter, is gebaseerd op de in 2019 bij Atlas Contact verschenen Atlas van een bezette stad van Bianca Stigter. In dit monumentale en prachtig geïllustreerde boek gidst Stigter de lezer door bezet Amsterdam.
8 de jun. de 2024 · Es un thriller inspirado en hechos reales. “Historias Invisibles” es una película cuyo guion profundiza en el complejo y horroroso tema de la trata de personas.
Hace 5 días · His recent projects have included “Small Axe,” a film series about the Windrush generation, and “Occupied City,” a documentary he directed which is based on a book by his wife, Bianca ...
9 de jun. de 2024 · Informed by the book Atlas of an Occupied City: Amsterdam 1940-1945 written by Bianca Stigter, the documentary creates two interlocking portraits. One shows the city’s devastating Nazi occupation through door-to-door accounts – tales of Jewish persecution, of resistance, collaboration, valour, and denial.
18 de jun. de 2024 · Using material from the filmmaker Bianca Stigter’s book Atlas of an Occupied City (Amsterdam 1940-1945) (Stitger and McQueen are partners), McQueen often literally goes from door to door, filming the exteriors of spaces where individual tragedies, events, and stories of resistance took place during the Nazi occupation of Amsterdam. As you ...
21 de jun. de 2024 · Author (s): Bianca Stigter. Director: Steve McQueen. Release Date: 09/02/2024 (selected cinemas) Running Time: 266mins. Country: UK/Neth/US. Year: 2023. A documentary feature narrated by Melanie Hyams contrasts life in Amsterdam under Nazi occupation and more recently during the Covid pandemic.
Hace 2 días · Recent recoveries of documentary footage range from a home-movie fragment shot in 1938 by an American Jewish returnee to his Polish birthplace, analyzed in Three Minutes: A Lengthening (Bianca Stigter 2021), to that taken in the Warsaw Ghetto by the Nazis themselves in 1942 for an unfinished propaganda film, as repurposed in Yael Hersonski’s ...
