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  1. Arreglo en gris y negro n.º 1, más conocido como Retrato de la madre del artista, es un óleo sobre lienzo del pintor estadounidense James McNeill Whistler, fechado en 1871.Mide 144,3 × 163,0 cm, y se exhibe en el Museo de Orsay de París tras su adquisición en 1891 por el estado francés.. Es un cuadro de una enorme personalidad, sobrio y austero como pocos retratos, y por ello mismo de ...

  2. The Work of James McNeill Whistler (1834–1903) The American born artist James McNeill Whistler was a major figure in 19th century art; his work, as painter, printer, and theorist, was widely influential to a younger generation of artists on several continents. He was an important contact between the art worlds of Europe and America.

  3. James Abbott McNeill Whistler (Lowell, Massachusetts, 10 de julho de 1834 — Londres, 17 de julho de 1903) foi um pintor norte-americano estabelecido na Inglaterra e na França. Seus pais eram o engenheiro civil George Washington Whistler e sua segunda esposa, Anna Matilda McNeill.

  4. 12 de mar. de 2020 · En bref. Artiste international (américain de naissance, français par sa formation, et résident londonien), James Abbot McNeill Whistler (1834–1903) est le peintre des nocturnes. Contemporain d’Édouard Manet, proche des impressionnistes et parfois associé au symbolisme pour son approche purement esthétique, presque musicale, il compose de véritables harmonies d’ombres et de ...

  5. James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London) 1887. Early Morning. James McNeill Whistler (American, Lowell, Massachusetts 1834–1903 London) 1878. Resources for Research. The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and ...

  6. WHISTLER, JAMES ABBOTT McNEILL (1834-1903), American artist, was born at Lowell, Massachusetts, on the 11th of July 1834. His father was Major G. W. Whistler, and his mother one of the Baltimore family of Winans. He was first heard of in Europe in 1857, when he had already been an art student, in Paris, in the studio of Gleyre. His first etchings, those known as The French Set, were the means ...

  7. By the mid-1860s, the London-based, American artist James McNeill Whistler was increasingly fascinated with the aesthetics of Asian art. In The Artist in His Studio, Whistler stares out at the viewer with palette and paintbrush in hand, surrounded by works from his collection: three Japanese scrolls hang on the wall and Chinese porcelain adorns shelves on the left.

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