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  1. 29 de feb. de 2024 · Resilience with Alexa Wilding is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Subscribe. um, fumbling for my keys, and there was Ruth, in her bra and underwear, reading The New York Times, and waiting for me.

  2. 3 de nov. de 2015 · English: CATALOGUE NOTE: The professional model Alice (or Alexa) Wilding began to pose for Rossetti in 1865 when he 'discovered' her walking along the Strand and asked her to pose for the studies for a projected picture of Aspecta Medusa.By 1870, when this drawing was executed, she had already made her most striking appearances in his art, in Regina Cordium (Glasgow Art Gallery) and Monna ...

  3. 21 de abr. de 2018 · Alexa Wilding, all’anagrafe Alice Wilding, (Surrey, 1847 – Londra, 25 Aprile 1884) è stata una modella e musa dell’artista preraffaellita Dante Gabriel Rossetti, che la immortala in diverse opere pittoriche tra il 1860 e il 1870. Inserita a pieno titolo nelle cerchia delle modelle preferite dagli artisti preraffaelliti, al pari di ...

  4. 21 de mar. de 2024 · At night, I’d stand on the terrace of the adobe in my white nightgown, watching the sun set pink, purple, then orange, over the Sangre de Cristo mountains. An herbalist I interviewed told me that the spirit of Santa Fe was very maternal. “She’ll hold you, just wait,” the woman said.

  5. English: CATALOGUE NOTE: The professional model Alice (or Alexa) Wilding began to pose for Rossetti in 1865 when he 'discovered' her walking along the Strand and asked her to pose for the studies for a projected picture of Aspecta Medusa.By 1870, when this drawing was executed, she had already made her most striking appearances in his art, in Regina Cordium (Glasgow Art Gallery) and Monna ...

  6. In the earliest, chalk versions of Rosa Triplex, Alexa Wilding sat for each of the heads. When, in February of 1874, DGR had difficulty getting Alexa Wilding to sit for him in order execute a replica, he instead had May Morris model for the watercolour (see Pedrick, Life with Rossetti, 174).

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