Resultado de búsqueda
Charles Ginner, La Vieille Balayeuse, Dieppe1913. Ginner’s painting depicts a crowd gathered in the Fish Market beside the Avant Port in Dieppe. In the centre of the work the old street sweeper of the title brushes the road. On the left, an old fisherwoman stands with hands on hips, carrying a large fish basket on her back, while to the right ...
Charles Ginner. 1942. Bank Holiday on Hampstead Heath Sydney Carline. 1915. Near Pourville Elliott Seabrooke. 1920. Piccadilly Circus Charles Ginner. 1912. On display at Tate Britain part of Historic and Modern British Art. Clarence Gardens William Ratcliffe. 1912. The Gardens, Chelsea Embankment Paul Maitland. c.1889.
London, Piccadilly Gallery, Charles Ginner 1878-1952, March - April 1969, no. 18, as 'Salisbury Cathedral'. Special notice. Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to ...
Charles Ginner, From a Hampstead Window 1923. Ginner’s watercolour shows a reversed view, as seen in a mirror, of Hampstead in north London after a fall of snow. Using pen and ink and watercolour in soft browns and purples, Ginner has drawn the buildings in great detail, carefully articulating each individual brick. Charles Ginner 1878–1952.
Charles Ginner (1878-1952) Early Morning. In 1914, after the demise of the Camden Town Group, Ginner and Gilman named themselves as Neo-Realists whose work was based on the real world, expressed with deliberate care and craftsmanship. They fell out with Sickert after he published an article criticising their use of impasto (thick paint).
Charles Ginner. 1937. Hartland Point from Boscastle Charles Ginner. 1941. Ivy Cottage, Coldharbour: Sun and Snow Lucien Pissarro. 1916. Emergency Water Storage Tank Charles Ginner. 1942. Study for ‘Flask Walk, Hampstead, on Coronation Day’ ...
Portrait of Charles Ginner. Drummond developed close friendships with Bevan, Gore and Ginner. Ginner had proposed Drummond for membership of the Camden Town Group. The two had much in common, both were admirers of Van Gogh and were interested in pattern, colour and vigorously applied paint.
