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  1. Hace 1 día · In the White City (Alain Tanner, Portugal/Switzerland) Last Night at the Alamo (Eagle Pennell, USA) Life Is a Bed of Roses (Alain Resnais, France) Lost Illusions (Gyula Gazdag, Hungary) Nostalghia (Andrei Tarkovsky, Italy) Passion (Jean-Luc Godard, France/Germany) Red Love (Rosa von Praunheim, West Germany) Rumble Fish (Francis Ford Coppola, USA)

  2. Hace 1 día · He left that to his cinema work: Blind Chance can be read as his only excursion into science fiction, even if it plays as political parable – the same way as films with a similar premise, such as Sliding Doors and Alain Resnais’s pair of Alan Ayckbourn adaptations, Smoking and No Smoking play their SF themes for, respectively, romantic ...

  3. Hace 3 días · Vale assistir “Noite e Neblina” de Alain Resnais, “Tokyo-Ga” de Win Wenders, “Os Sonhadores” de Bernardo Bertolucci, “Folhas de Outono” de Aki Kaurismaki (um dos melhores filmes exibidos nos cinemas em 2024) e o documentário “Feito na Inglaterra: Os filmes de Powell e Pressburger” de Martin Scorsese sobre Michael Powell e ...

  4. Hace 20 horas · Alain Resnais’ enigmatic presentation of memory and perception challenges viewers with its inconsistent storytelling. The film’s fragmented structure invites interpretation and reflection, but ...

  5. Hace 5 días · Un roman-cinéma ? Juste avant Le Ravissement, Duras écrivait son premier scénario, celui d’Hiroshima mon amour réalisé par Alain Resnais… Dans son recueil Les yeux verts, Duras parle de la fulgurance de la sensation, celle d’un matin, du ciel bleu, du soleil, elle dit qu’il n’y a que le cinéma qui permet de retranscrire cette fulgurance poétique…

  6. Hace 20 horas · Alain Resnais’ enigmatic presentation of memory and perception challenges viewers with its inconsistent storytelling. The film’s fragmented structure invites interpretation and reflection, but its unconventional approach may frustrate those seeking clear plot resolutions or traditional storytelling. If you’re looking for more ...

  7. Hace 2 días · Y descubrí que el cine te da una razón de vida; te da un diálogo con vos mismo y con los demás que es fundamental para los que hacemos cine. Yo almuerzo, ceno, duermo, bebo, pienso cine todo ...