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Edward Henry Gordon Craig was born in Stevenage, UK in January 1872. His mother, Ellen Terry (1847-1928), was to become the leading actress of her generation. His father was Edward Godwin (1833-1886), a talented architect, furniture and costume designer.
Edward Gordon Craig (Stevenage, 16 januari 1872 – Vence, 29 juli 1966) was een Britse theateracteur, -vormgever en toneeltheoreticus. Als ontwerper van theaterproducties heeft hij een bijzonder grote invloed gehad op de ontwikkeling van het moderne theater in de eerste helft van de 20e eeuw.
L' Anglais Edward Gordon Craig fut acteur, metteur en scène et décorateur de théâtre, graveur et illustrateur, essayiste et éditeur de revues.Son œuvre écrite et dessinée n'a cessé de constituer l'une des sources principales de la réforme artistique du théâtre qu'il s'agisse de décors et de costumes, de mise en scène, d'architecture, des rapports du metteur en scène avec l ...
Edward Gordon Craig was born in Stevenage, Hertfordshire, the son of E W Godwin and the actress Ellen Terry. He was a wood engraver, editor, journalist, but above all genius of the theatre. His stage designs stripped theatre down to its essentials, clearing the stage for the 20th Century. His early prints show the influence of Art Nouveau ...
War, Edward Gordon Craig proposed nothing short of a total revolu tion in the design, mounting, and purpose of theatre. Frequently he described the required process as a stripping away of unnecessary accretions to get at the heart of the theatre as an independent artform.
21 de oct. de 2021 · Leggere gli scritti del regista teatrale Edward Gordon Craig relativi alla sua concezione del teatro e della scena significa capire come ha avuto origine il concetto moderno di messinscena. Prima del XX secolo non era scontato che il rapporto del pubblico con la scena fosse, come accade oggi, di tipo soggettivo ed emozionale, e che lo ...
Edward Henry Gordon Craig.Actor, director y teórico teatral británico. Actuó en toda Europa, reivindicó la categoría convencional de la escenografía, relegó el papel del actor a la representación de una serie de expresiones simbólicas y divisó un teatro revelación en el que todo se subordinaba al espectáculo teatral total.
