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Hace 4 días · Intro created by Matt Eskew. Redshift performing "The Great Wall" at Alternative TentaclesFEST at Thee Stork Club in Oakland, CA on 4/18/2024. "The Great Wall" is from their brand new 7", "The Great Wall/Reed Mullin" out now on Alternative Tentacles Records! Order your copy of their new 7" available now: Led by hardcore scene veteran Vic Bondi (Ar.
Hace 4 días · Alongside campaign promises such as an increased emphasis on public transit, the banning of cars within city limits, and lowered rent, Biafra ran with the slogan “there’s always room for Jello!”. While Biafra did not win the mayoral race, his campaign is a great example of how punk music and culture has been used to enact political and ...
Hace 4 días · Musical Success. Nirvana's unparalleled success propelled Krist Novoselic to financial prominence. The band's breakout album, "Nevermind," sold over 30 million copies worldwide, cementing their status as one of the most influential bands of the grunge era.
Hace 5 días · The Radio Is Broken is a three-hour spelunk through the canyons and fissures of humanity's collective unconscious. It sounds as if a field recording of the Culture Industry were a sonic juggernaut barreling down a rickety track—except that tunnel ahead is just painted onto a sheer cliff wall.
Hace 5 días · Mescalero (BMG, 2003) By the turn of the century, most people had probably given up on ever hearing a good new ZZ studio album. And then along came Mescalero. And while it certainly isn’t among the band’s best albums, this back-to-basics recording was a massive improvement on the rest of their post- Eliminator output.
Hace 4 días · jello biafra / doa · last scream of the missing neighbours. floating like particles in the air. nstant · frequencies within. _amsee. digitalsakura · vergissmeinnicht. angular. bernocchi / chaplin · the same and the other. skimmer. chxmeras · terminal city. massenmedium. frank bretschneider · pounding.
Hace 1 día · This has been one of the more frustrating aspects of dealing with "world music." No less an advocate than David Byrne, who founded the Luaka Bop label specifically as a way to spread an enthusiasm for international sounds, wrote an article for the New York Times in 1999 lamenting that it was an impossibly restrictive category for an incredibly wide-spanning collection of styles:
