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A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge (1851–52) is the full, exhibited title of a painting by John Everett Millais, and was produced at the height of his Pre-Raphaelite period.
14 de oct. de 2023 · A Huguenot also known as A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge is an oil on canvas painted by artist John Everett Millais in 1852. The title of the painting refers to the historical event of St. Bartholomew's Day massacre in 1572, a day in which some Huguenots (French ...
5 de feb. de 2024 · John Everett Millais. Reino Unido, 1852. Romanticismo. Pre-Rafaelitas. Título original: A Huguenot, on St. Bartholomew’s Day, refusing to shield himself from danger by wearing the roman catholic badge. Colección particular. Técnica: Óleo (92,71 × 64,13 cm) Escrito por: Laura Cabrera Guerrero.
“The Old Feelings of Men in a New Garment”: John Everett Millais’s A Huguenot and Masculine Audiences in the Mid-Nineteenth Century Jo Briggs is Assistant Curator for Eighteenth- and Nineteenth-Century Art at the Walters Art Museum in Baltimore, Maryland.
The incident refers to the St. Bartholomew's Day massacre in 1572 when French Protestants (Huguenots) were massacred in Paris, leading to other massacres elsewhere in France. A small number of Protestants escaped from the city by wearing white armbands.
A Huguenot on St Bartholomew's Day (A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge) is a Pre Raphaelite Oil on Canvas Painting created by John Everett Millais in 1852.
7 de ago. de 2011 · ‘A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge’ was created in 1852 by John Everett Millais in Romanticism style. Find more prominent pieces of history painting at Wikiart.org – best visual art database.
