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  1. After a model by Gian Lorenzo Bernini Italian. early 18th century. Not on view. The saint is shown standing, her gaze lifted to heaven to emphasize her ecstatic expression. She wears a robe and heavy cloak and holds a palm symbolizing her martyrdom.

  2. After a model by Gian Lorenzo Bernini Italian. late 17th century or early 18th century. Not on view. The group is a small-scale variant of Gian Lorenzo Bernini’s marble Neptune and Triton, carved between 1622 and 1623, which was once installed at the head of the fish pond at the Villa Montalto, Rome, and has been at the V&A since 1950. [1]

  3. A bronze Saint Agnes cast after a model by Bernini shows the impulsive quality of his terracotta bozzetti. The figure’s sideward stance is typical of the figures crowning the colonnades of Saint Peter’s Square.

  4. Gian Lorenzo Bernini (Nápoles, 7 de diciembre de 1598-Roma, 28 de noviembre de 1680) fue un escultor, arquitecto y pintor italiano. Trabajó principalmente en Roma y es considerado el más destacado escultor de su generación, creador del estilo escultórico barroco.

  5. Artist: After a model by Gian Lorenzo Bernini (Italian, Naples 1598-1680 Rome). Culture: Italian, Rome. Dimensions: Overall (confirmed): 13 15/16 × 6 × 5 7/8 in. (35.4 × 15.2 × 14.9 cm).

  6. Gian Lorenzo Bernini (Nápoles, 7 de diciembre de 1598-Roma, 28 de noviembre de 1680) fue un escultor, arquitecto y pintor italiano. [1] Trabajó principalmente en Roma y es considerado el más destacado escultor de su generación, creador del estilo escultórico barroco. [2]

  7. 25 de ene. de 2023 · The wife of one of his assistants, Bernini fell for her after she posed as his model. The sensual and suggestive bust sculpture of Costanza which he carved, with wavy hair, parted lips, and open neckline, is a clear testament to the artist’s passion for his subject.