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  1. The Real Ambassadors is a jazz musical written by Dave and Iola Brubeck that addressed racism in America, the music business, and the power of music to bring people together. The jazz musical pointed out the absurdity of segregation and makes the case that artists and jazz musicians are the best and "real" ambassadors to demonstrate a nation's ...

  2. CD 9,95 €. "The Real Ambassadors" (Columbia OS2250) was the first and only collaboration between Dave Brubeck and Louis Armstrong. It also features Carmen McRae, and the trio of Lambert, Hendricks & Ross.

  3. The Real Ambassadors is a jazz musical developed in the late 1950s and early 1960s by Dave and Iola Brubeck, in collaboration with Louis Armstrong and his band. It addressed the Civil Rights Movement, the music business, America's place in the world during the Cold War, the nature of God, and a number of other themes.

  4. 5 de abr. de 2020 · The Real Ambassadors, book by lola Brubeck, music by Dave Brubeck, lyrics by lola and Dave Brubeck, premiered on September 23, 1962, at the Monterey Jazz Festival in Monterey, California, with the following cast: Louis Armstrong, Dave Brubeck, Carmen McRae, lola Brubeck. Trummy Young.

  5. 13 de feb. de 2024 · 7 Trummy Young And The Guys From V-Discs– Four Or Five Times Vocals – Trummy Young Written By – Simon Written-By – Gay*, Hellman* ... L. Armstrong, Lambert, Hendricks & Ross, C. McRae - The Real Ambassadors by projazz. 1,351 views. Louis Armstrong & Duke Ellington - The Great Reunion (Full Album) by projazz. 2,123 views. The Louis ...

  6. In essence, The Real Ambassadors was a musical answer to those politicians and citizens who continued to advocate for the status quo. Bavan believed that segregation would only be abolished if individuals, including artists, took a stand and convinced others to join them.

  7. 30 de jun. de 2023 · Trummy Young was not heard outside of the Louis Armstrong All-Stars very often but there were a few exceptions. He was a major part of the famous Buck Clayton Jam Session records of Mar. 31, and Aug. 13, 1954, playing a roaring solo on “How Hi The Fi” that stole the show.