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  1. The uptempo title tune Phase II is going into jazz fusion. The mainweight is on the bass with a strong rhythm background (timbals, cowbells, Sabian cymbals, Pearl drums) and saxophone. Gary Thomas pushs the tune deep into jazz fusion with a long sax solo.

  2. John Scofield: una música sin edad. Las credenciales de John Scofield como uno de los grandes guitarristas históricos del jazz fusión están a la vista. Desde muy joven fue parte de las bandas o colaboró con los más importantes músicos del género: Miles Davis, Dave Liebman, Joe Henderson, Charles Mingus, Herbie Hancock, Billy Cobham ...

  3. 9 de sept. de 2015 · John Scofield is documented in his pre-Miles Davis period on Shinola, a 1981 date with Steve Swallow (electric bass) and Adam Nussbaum (drums). The guitarist's distinctive style is highly developed even at this stage in his career, combining elements of rock and rhythm 'n' blues with post-bop leanings and an uncanny, 'left-handed' lyricism, all ...

  4. www.jazzguitar.be › blog › easy-jazz-guitar-licks50 Easy Jazz Guitar Licks

    Dominant Lick 19 – John Scofield. This is a melodic lick in the style of John Scofield over a V going to I minor and uses the C minor harmonic scale. John Scofield uses a technique called double stops here. A double stop is when you play 2 notes at the same time and can be used to outline the harmony in your solos.

  5. 13 de nov. de 2017 · La guitarra de John Scofield ha influido en el jazz desde finales de los 70. El norteamericano posee un sonido muy distinto al que nos tenían acostumbrados. La música de Scofield se encuentra a medio camino entre el jazz, el funk y el R & B.

  6. 8 de mar. de 2010 · The Grainger brothers have released two CDs, Grainger Phase I and Grainger Phase II, both to high critical acclaim. Currently, Gary tours with Acoustic Alchemy and the Meritxess Project and designs basses for Paul Reed Smith.

  7. 31 de ago. de 2023 · Testimony to the excellence of this quartet can be found on Scofields first album as leader, John Scofield Live (Enja 3013), recorded in Munich in November 1977. The enthusi­asm of the local audience shows why Scofield has returned frequently to Europe.