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  1. 18 de sept. de 2024 · Low is another artistic switch up in Bowie's catalogue, introducing futuristic sounds that create an atmosphere on each track including ambient and art rock elements, it's lyrically fragmented and easy to follow along, some of his best career highlights are on this record.

  2. 1 de oct. de 2024 · Review David Bowie Low. Warum „Low“ auf elektronischen Rock so starken Einfluss hatte – und es dennoch bis heute keinem gelungen ist, exakt so zu klingen wie David Bowie.

  3. 14 de sept. de 2024 · Low was issued in January, 1977, so all US copies should be on the black label, unless perhaps one of the US pressing plants was using up leftover tan labels. I believe RCA Canada continued to use the tan label for some time after the black label was introduced in the US.

  4. Hace 3 días · Released: March 1981. Scary Monsters (and Super Creeps), also known simply as Scary Monsters, [a] is the fourteenth studio album by the English musician David Bowie, released on 12 September 1980 through RCA Records. His first album following the Berlin Trilogy (Low, "Heroes" and Lodger), Scary Monsters was Bowie's attempt at creating a more ...

  5. Hace 4 días · Station to Station is the tenth studio album by the English musician David Bowie, released on 23 January 1976 through RCA Records. Regarded as one of his most significant works, the album was the vehicle for Bowie's performance persona the Thin White Duke.

  6. 30 de sept. de 2024 · David Bowie - Low. habanerosilver. Sep 30, 2024. 74. Favorite: Sound And Vision Least favorite: Weeping Wall. Track Ratings. 1: Speed of Life / 100: 2: Breaking Glass / 100: 3: ... Rate and review albums along with the AOTY community. Create an account today. Become a Donor Donor badge, no ads + more benefits. October Playlist. Go Ad-Free . ALBUMS.

  7. 29 de jul. de 2024 · On this album David Bowie achieves the ultimate image-illusion available to an individual working within the existing cultural forms of the West. He vanishes. THE FIRST IMPRESSION Low imparts to the listener is that he is somehow hearing it sideways. Ian MacDonald, Low review, NME, 22 January 1977.