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  1. Hace 2 días · Martin and engineer Geoff Emerick were drinking scotch whisky to calm their nerves for the task of mixing the audio for a live worldwide broadcast, and had to scramble to hide the bottle and glasses beneath the mixing desk after being told they were about to go on air.

  2. Hace 1 día · Geoff Emerick also recalled a notable moment between John Lennon and his fellow guitarists, George Harrison and Paul McCartney, during the session for “The End.” After the trio decided to ...

  3. 25 de jun. de 2024 · The overdubbed ballads featuring strings are all tastefully rendered and with Geoff Emerick manning the board for these recordings everything is captured in fairly judicious detail. The only curious aspect to the sound is how overly present the room mics sometimes are in the mix when Paul is not playing the grand piano.

  4. Hace 4 días · At the start of the first session, recording was overseen by Dave Harries, an EMI technical engineer, in the temporary absence of Martin and Geoff Emerick, the Beatles' usual recording engineer. The band focused on achieving a percussion-heavy rhythm track, which included Starr's drums, and backwards-recorded hi-hat and cymbals.

  5. Hace 3 días · With assistance from producer George Martin and engineer Geoff Emerick, many of the recordings were coloured with sound effects and tape manipulation, as exemplified on "Lucy in the Sky with Diamonds", "Being for the Benefit of Mr. Kite!" and "A Day in the Life".

  6. Did Geoff Emerick appeared in The Beatles: Get Back documentary? Genuine question, because I just wanted to see him if he did really appear. I've read his book and from what I remember he said he came to a session where they were recording for the documentary and such.

  7. 25 de jun. de 2024 · Together, sound engineer Geoff Emerick and Beatles producer George Martin pioneered recording techniques that intensified the sounds of the Beatles’ instruments. Composition and design. Within the track list on Sgt. Pepper’s Lonely Hearts Club Band, only a few songs explicitly reference the alter ego concept. In the opening track, McCartney ...

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