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  1. Hace 2 días · Five (Bill Evans) es una melodía bop de aire cromático, cuyo trepidante y endiablado swing le sirve a Johnson como punto de partida para una larga improvisación. Uno de los temas propios de Evans es Two Lonely People , donde el pianista se recrea armónicamente en la introducción y Johnson se muestra exquisito.

  2. 1 de oct. de 2024 · Despite his untimely death in 1980, his influence can still be heard today in the playing of countless pianists. In this article, we will delve into some fascinating facts about Bill Evans, shedding light on his life, music, and lasting impact on the jazz world.

  3. 27 de sept. de 2024 · Bill Evans to be inducted into the American Banjo Museum’s Hall of Fame October 2024 Read More Congratulations to Bill on recieving the 2022 Steve Martin Banjo Prize! More about the award | 2022 Presentation Awards

  4. Hace 4 días · La BILL EVANS PIANO ACADEMY est une école de musique spécialisée dans le jazz, les musiques brésiliennes et les musiques improvisées. Elle se situe à PARIS 20ème, dans le quartier du Père-Lachaise.

  5. Hace 15 horas · El Teatro Municipal de San Nicolás se llenó de música este jueves, con la realización de la Experiencia Bill Evans, un concierto lanzamiento que adelantó lo que será el primer Festival de Jazz de San Nicolás que se celebrará en 2025. El teatro de San Nicolás colmado y a pleno disfrutó del recital de jazz que contó con la presencia de ...

  6. Hace 4 días · Blue in Green” was first recorded on March 17, 1959 by trumpeter Miles Davis, pianist Bill Evans, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonist John Coltrane. It is the third track, as well as one of two ballads, on Davis’ Kind of Blue, released by Columbia Records on August 17, 1959. It is also the only track on the ...

  7. 2 de oct. de 2024 · Bill Evans is the fine wine of jazz pianists: smooth yet potent, dry yet detailed, subtle yet profoundly nuanced. Classically trained and naturally gifted, Evans was known for introducing new shades of harmony into the jazz chordal palette, and his work with "cool jazz" giants of the mid- to late 1950s — from Chet Baker.