2019
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Hace 6 días · I recently spoke with Errol Morris to talk through the parallel debates over generative AI and reenactment, to reflect on the legacy of his documentary work, and to find out whether he’d ever use an AI-generated image in one of his films.
1 de jul. de 2024 · Explore the compelling storytelling of Errol Morris, a master of documentary filmmaking who unveils the surreal in everyday life. Delve into the impact of Morris's work in this insightful article.
Hace 2 días · “O túnel dos pombos”, filmado pelo talentoso Errol Morris e lançado em 2023, é o resultado, um doc-biográfico-ensaio que não realiza proezas revelatórias – mas que mergulha e exala a materialidade labiríntica de alguém que se dedicou a escrever sobre dúvidas e angústias de espiões, duplos ou não.
Hace 1 día · The Thin Blue Line, directed by Errol Morris, is a pivotal work in the true crime documentary genre. Released in 1988, the film examines the wrongful conviction of Randall Dale Adams for the murder of a Dallas police officer. Morris's meticulous approach revealed weaknesses in the judicial system that contributed to Adams's conviction.
18 de jun. de 2024 · Errol Morris continues to be a influential figure in the world of documentary filmmaking, crafting compelling portraits of both ordinary and extraordinary lives while interrogating the nature of truth and the power of the moving image.
Hace 4 días · Errol Morris on whether you should be afraid of generative AI in documentaries (Nieman Lab) "Ultimately, I think we should own up to the fact that we’re creating, that it’s not reality itself." Academy Award-winning filmmaker Errol Morris (The Thin Blue Line, The Fog of War) sits down with Nieman Labs' Andrew Deck to discuss the use of ...
Hace 6 días · Errol Morris on whether you should be afraid of generative AI in documentaries. date: 2024-07-10, from: Nieman Journalism Lab. Errol Morris is used to being called a liar, a trickster, and a manipulator. Over his storied four-decade career, Morris told me these insults have been hurled at him again and again — often, because of how he chooses ...
