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Annie Swynnerton, née Robinson, was still a teenager when she started selling watercolours to neighbours and friends to supplement the family income. Like her sisters, she started taking lessons with William Jabez Muckley (1829-1905) at the Manchester School of Art in 1871. Her watercolours earned her a scholarship and she won a gold medal for ...
Annie Louisa Robinson Swynnerton (Hulme, 26 de fevereiro de 1844 – Ilha Hayling, 24 de outubro de 1933) foi uma pintora inglesa.. Bastante conhecida por seus retratos e pinturas simbolistas, era também muito experiente em pintar paisagens.Estudou nas prestigiadas Escola de Arte de Manchester e na Academia Julian, em Paris, tendo sido influenciada pelos trabalhos de George Frederic Watts e ...
8 de oct. de 2020 · Annie Louisa Swynnerton (1844-1933), The Sense of Sight (1895), oil on canvas, 87.3 x 101 cm, Walker Art Gallery, Liverpool, England. Wikimedia Commons. For me, Swynnerton’s masterpiece, and one of the finest paintings of this difficult subject, is The Sense of Sight from 1895. This is now in the Walker Art Gallery in Liverpool, which had ...
Image: Christie’s auction catalogue. Media: oil on canvas. Dimensions: 1105 x 1530 mm (1.7 m²). History: auctioned Christie’s, South Kensington, 19 May 1999, The El Helou Collection, “ANNIE LOUISA SWYNNERTON, NEE ROBINSON / An allegorical scene – A winged Soldier comforting a boy with later inscription ‘Allegorical subject/by/Annie L. Swynnerton ARA/found in her studio in Rome/and ...
18 de may. de 2018 · London Evening Standard, 2 March 1910: In the Central Gallery Mrs. Swynnerton’s “A Dream of Italy,” [and works by Miss Bessie MacNicol] make everything else look a little commonplace. “A Dream of Italy,” the life-sized, semi-nude figure of a woman stepping down the mountain side, has a combination of dignity and beauty that can only ...
tag / style: Annie Louisa Swynnerton; angel; sense; sight; wings; Physical Dimensions: w1010 x h873 cm (Without frame) Artist biographical information: Swynnerton was born near Manchester. She was a strong believer in equal opportunities for women in art and founded the Manchester Society of Women Painters with the artist Susan Isabel Dacre.
