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  1. Jean-Louis Ernest Meissonier (Lyon, 21 de fevereiro de 1815 – Paris, 21 de janeiro de 1891) foi um pintor e escultor clássico francês famoso por suas representações de Napoleão, seus exércitos e temas militares. Ele documentou cercos e manobras e foi o professor de Édouard Detaille. [1]

  2. ジャン=ルイ=エルネスト・メソニエ(Jean Louis Ernest Meissonier、1815年 2月21日 - 1891年 1月31日)はフランスの画家である。. 略歴. リヨンの貧しい家庭に生まれた。19歳になってパリに出て、レオン・コニエの工房で学び、ルーヴル美術館で巨匠の作品を模写して修行した。

  3. Rétrospective Ernest Meissonier - musée des Beaux-Arts - France, Lyon, 1993 Wintermärchen. Winter-Darstellungen in der europaïschen Kunst von Brueghel bis Beuys - Kunsthistorisches Museum - Autriche, Vienne, 2011-2012 ... Gréard, O., Jean-Louis-Ernest Meissonier : ses souvenirs, ses entretiens, Paris, Hachette, 1987, p.399 Exposition catalog.

  4. MEISSONIER, JEAN LOUIS ERNEST (1815—1891), French painter, was born at Lyons on the 21st of February 1815. From his schooldays he showed a taste for painting, to which some early sketches, dated 1823, bear witness. After being placed with a druggist, he obtained leave from his parents to become an artist, and, owing to the recommendation of a painter named [Jules] Potier, himself a second ...

  5. Jean-Louis-Ernest Meissonier (Lyon, 21 februari 1815 – Parijs, 31 januari 1891) was een Frans kunstschilder, graveur en beeldhouwer. Meissonier werd vooral bekend door zijn voorstellingen van Napoleon Bonaparte, veldslagen en andere militaire onderwerpen. Jeugd. Ernest Meissonier begon al op vroege leeftijd met schilderen. ...

  6. Jean-Louis Ernest Meissonier (Lyon, 21 de fevereiro de 1815 – Paris, 21 de janeiro de 1891) foi um escultor e pintor classicista francês, famoso por suas representações de Napoleão, de seus exércitos e de temas militares. Literatura de e sobre Ernest Meissonier no catálogo da Biblioteca Nacional da Alemanha

  7. Meissonier's career prospered despite the fall of his imperial patron in 1870. A staunch nationalist who fought in the Franco-Prussian War and was deeply upset by his country's defeat, he pursued the Napoleonic imagery in part to remind his compatriots of France's proven military glory. Such works were nonetheless in great demand abroad as well.