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27 de jun. de 2024 · In her ambitious new book, Catherine Pickstock addresses these profound questions, arguing that epistemological approaches to truth either fail argumentatively or else offer only vacuity. She advances instead a bold metaphysical and realist appraisal which overcomes the Kantian impasse of 'subjective knowing' and ban on reaching beyond ...
Pickstock has in fact been criticized as obscurantist and overly performative in her prose style in this early work; 5 and these criticisms aside, After Writing is certainly not easy sledding, even for those trained in philosophy or theology. But Pickstock’s refusal of neat argumentative closure (if that is a fair way of putting it) is ...
Project Professor Catherine Pickstock is a Mellon Teaching Fellow 2016-17. She will be convening a series of seminars with Dr Heather Webb to be held at CRASSH in Michaelmas 2016. Gesture, Perception and Event Whilst the Middle Ages were influenced by certain Greek philosophical traditions which regarded truth and science as an abstraction from matter,
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29 de dic. de 1997 · Catherine Pickstock asking for a cup of tea: 'The optimum receptaclised transcendental infusion of enchauffed camellia sinensis with a modicum of bovine lactational excretion...please.' There are three reasons why philosophy might be difficult to read: 1. It is so unfathomably deep that ordinary mortals are not able to understand it. 2.
Catherine Pickstock engages in lengthy debate with Derrida regarding proper readings of Plato and the notion of (authorial or oral) presence, attempting to move beyond the dichotomy of absence/presence through a particular account of the eucharistic liturgy (AW: 3–46).
22 de oct. de 2020 · Catherine Pickstock is the Norris-Hulse Professor of Divinity in the University of Cambridge. Her books include After Writing: On the Liturgical Consummation of Philosophy (1997), Thomas d'Aquin et la Quête Eucharistique (2001) and Repetition and Identity (2014). In addition, she was co-editor - with John Milbank and Graham Ward - of the ...
