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21 de dic. de 2017 · However, in 1897, Philip Burne-Jones’s painting The Vampire, and Rudyard Kipling’s companion poem of the same name, recast the supernatural creature as a mortal woman who metaphorically bleeds ...
12 de feb. de 2019 · Originally belonging to English painter Sir Philip William Burne-Jones, the kit includes nearly everything you could think of to ward off vampires: wooden stakes, a crucifix, mirror, rosary and more. ... Burne-Jones was a well-known painter in his time and produced more than 60 paintings, with the most famous being ironically named, The Vampire
Philip was the son of Edward Burne-Jones, the distinguished pre-Raphaelite painter, and Kipling’s much loved ‘Uncle Ned’. The New Gallery had been the setting for a major Edward Burne-Jones retrospective in 1892–93. Rudyard was clearly seeking to help his cousin with this contribution. But one also wonders if there is an echo here of ...
Although Burne-Jones's painted figures are in medieval costume much of the decoration is equally Oriental in inspiration. Philip Webb's straightforward design, however, which boldly displays the casework skeleton on the exterior, anticipated the emphasis on structural elements that would inform the design revolution of the next century.
"The Vampire" is a painting by British artist Sir Philip Burne-Jones, Bt, completed in 1897. It is one of the most notable works of Burne-Jones, who was the son of the Pre-Raphaelite Brotherhood co-founder Sir Edward Burne-Jones. The painting is executed in oil on canvas and measures approximately 40 by 30 inches.
Philip Burne-Jones was a very unhappy man. He could have been a distinguished painter and would have been one under a luckier star, but two things told fatally against him. He never needed to work and he was cursed with a sense of diffidence and a feeling that whatever he did would be contrasted unfavourably with his father’s work …
Given by Sir Philip Burne-Jones and Mrs J. W. Mackail, 1920 Historical significance: Edward Burne-Jones was the leading figure in the second phase of the Pre-Raphaelite movement. His paintings of subjects from medieval legend and Classical mythology and his designs for stained glass, tapestry and many other media played an important part in the ...
