Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Geoff Emerick. Geoffrey Emerick ( Londra, 4 dicembre 1945 – Los Angeles, 2 ottobre 2018) è stato un tecnico del suono britannico, noto principalmente per essere stato l'ingegnere dei Beatles negli anni sessanta, il suo lavoro in studio fu di fondamentale contributo in particolar modo per gli album Revolver, Sgt. Pepper's Lonely Hearts Club ...

  2. 5 de ago. de 2021 · El día en que el séptimo album de los Fab Four cumple 55 años, recordamos a uno de los nombres más relevantes para el sonido tan particular de ese disco. Geoff Emerick, por entonces un veinteañero, echó mano a una serie de trucos para satisfacer las necesidades de una banda que le pedía ir cada vez más allá. Esta es su historia durante las grabaciones del legendario LP.

  3. 9 de abr. de 2018 · Y Geoff Emerick (72), aquel que logró ese sonido que le pidió Lennon; que recibió cuatro premios Grammy por su rol como ingeniero de sonido (dos por discos de los Beatles y otro por uno solista ...

  4. 3 de oct. de 2018 · Geoff Emerick, the sound engineer who helped create the sound of the Beatles, has died after a heart attack, aged 72. A Grammy award-winner, he worked on some of the Beatles' most influential and ...

  5. 22 de may. de 2008 · Geoff Emerick. Emerick was born in London on 5 December 1945, and joined EMI at the age of 15. He sat in on The Beatles’ second EMI session on 4 September 1962, on his second day at work in the studios, and witnessed them recording How Do You Do It and Love Me Do. Brian Epstein, George Martin and Geoff Emerick at the worldwide satellite ...

  6. Geoffrey Ernest Emerick. Profile: Born 5 December 1945 in Crouch End, North London, England, UK; died 2 October 2018 in Los Angeles, USA. English recording studio audio engineer, who was best known for his work with The Beatles ’ albums Revolver, Sgt. Pepper’s Lonely Hearts Club Band, The Beatles (the “White Album”), and Abbey Road.

  7. 16 de mar. de 2006 · While Geoff Emerick wasn't the Beatles recording engineer during their early years at EMI (he started as an assistant engineer), his employment there did grant him occasional views of The Beatles at work during the time of 1962-1966 when Norman Smith was their engineer. However, when Smith left to become a producer (going on to produce Pink ...

  1. Otras búsquedas realizadas