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Suzanne Valadon posed as a model for the artists Renoir, Degas, and Toulouse-Lautrec before she began painting herself in 1893. While she favored still-lives and portraits, Valadon is best known for her paintings of female nudes—a subject rarely chosen by women painters at the time. The reclining nude in the present painting confronts the ...
Suzanne Valadon. Born Marie-Clémentine, Valadon was the daughter of an unmarried domestic worker. She grew up in Montmartre, the bohemian quarter of Paris, supporting herself from the age of ten with odd jobs: waitress, nanny, and circus performer. A fall from a trapeze led her in a new direction. From 1880 to 1893, Valadon modeled for several ...
Suzanne Valadon (23. syyskuuta 1865 Besinnes-Sur-Gartempe – 7. huhtikuuta 1938 Pariisi) oli ranskalainen taidemaalari, joka tunnetaan rohkeasta värienkäytöstään ja karskeista ihmishahmoistaan. Hän on yksi Ranskan tunnetuimmista naispuolisista taidemaalareista. Elämä ja taide ...
Suzanne Valadon, officieel Marie-Clémentine Valadon, (Bessines-sur-Gartempe, 23 september 1865 – Parijs, 7 april 1938) was een Franse postimpressionistisch kunstschilder. Biografie. Marie-Clémentine Valadon was het kind van een ongehuwde wasvrouw. In 1870 was haar moeder ...
René Barotte. "Au Portique: Suzanne Valadon." L'Homme Libre (May 11, 1931), p. 1. André Warnod. "La joie de vivre ou 30 ans de peinture." Comoedia (January 4, 1932), p. 3 [possibly this picture]. René Barotte. "Valadon n'est pas encore au Louvre (contrairement à sa prédiction) mais au Musée d'Art moderne pour quelques jours."
French painter. A self-taught painter, born of an unknown father and washerwoman mother, Suzanne Valadon is exceptional both in the quality of her work and her social and artistic career. The education of this poor child, entrusted to strangers, was brief. From the age of 11, she went from odd job to odd job in Paris, where she lived with her ...
The Blue Room (La chambre bleue) is a 1923 painting by French artist Suzanne Valadon.One of her most recognizable works, it has been called a radical subversion of representation of women in art. Like many of Valadon's later works, it uses strong colors and emphasizes decorative backgrounds and patterned materials. Valadon depicts a modern 20th-century woman, clothed and smoking a cigarette ...
