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‘Untitled‘, Robert Morris, 1965, reconstructed 1971
- Untitled
‘Untitled‘, Robert Morris, 1967–8, remade 2008 ‘Untitled‘,...
- DJ 85-51
‘Untitled (DJ 85-51)‘, Donald Judd, 1985 ‘Untitled (DJ...
- Location Piece
‘Location Piece‘, Robert Morris, 1973. Skip navigation. Back...
- Intervals II
Untitled Kim Lim. 1971. View by appointment. Untitled Kim...
- T01695
‘Untitled‘, Larry Bell, 1962
- T03087
‘Untitled‘, Donald Judd, 1980
- Untitled
Learn about this artwork by Robert Morris in the Guggenheim's Collection Online.
Beginning in the late 1960s, Morris, who had previously made geometric plywood and steel forms, began to use more malleable media, such as felt, inviting the material’s properties and chance operations—in this case, gravity—to play a role. He called this Process Art.
Untitled (Box for Standing) (Sin título [Caja para estar de pie]) es una obra construida a escala del cuerpo del artista, y relacionada con su trabajo para decorados de performances.
Untitled (Mirrored Cubes) (Sin título (Cubos con espejo)) • Pérez Art Museum Miami
American, 1931-2018. In Notes on Sculpture, an influential series of essays from 1966, Robert Morris formulated an argument for the rigid, cubic shapes of Minimalist sculpture. Two years later, he dramatically shifted this viewpoint, proposing “anti-form”—sculpture composed of indeterminate objects with indefinite possibilities in which ...
Robert Morris’s deceptively simple sculpture Untitled (L-Beams) presents us with a subtle perceptual puzzle. Although its three elements are identical in shape, they appear different from one another based on their varying orientations.
