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  1. The indefatigable artist has been the subject of exhibitions at the world’s most prestigious institutions, from the Museum of Modern Art and Centre Pompidou to the Stedelijk Museum and Tate Modern. Robert Rauschenberg. Persimmon, 1964. Oil and silkscreen ink on canvas. 66 × 50 in | 167.6 × 127 cm.

  2. 28 de nov. de 2016 · «Persimmon,» by Robert Rauschenberg, 1964. Rauschenberg experimentó con la pintura, el grabado y la performance e incursionó exhaustivamente en el assemblage (término que se refiere a obras...

  3. Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between ...

  4. Rauschenberg began silkscreening paintings in 1962, after visiting Andy Warhol’s studio and seeing Warhol’s recent paintings made with the process. Rauschenberg’s image sources included National Geographic, Life, Esquire, Boxing and Wrestling, and newspapers, as well as his own photographs.

  5. Robert Rauschenberg (Port Arthur, Texas; 22 de octubre de 1925-Captiva Island, Condado de Lee (Florida); 12 de mayo de 2008) fue un pintor y artista estadounidense, que alcanzó notoriedad en 1950 durante la transición del expresionismo abstracto al Pop-Art, del cual fue uno de los principales representantes en su país.

  6. www.artforum.com › features › robert-rauschenberg-2-209474Robert Rauschenberg - Artforum

    Almost all writers have noticed how Rauschenberg holds action in “abeyance” (Alan Solomon), or “delay” (Rosalind Krauss),or more suggestively, Max Kozloff’s “fascinated passivity,” where the whole idea of freezing movement is extended to public voyeurism.

  7. Robert Rauschenberg worked in a wide range of mediums including painting, sculpture, prints, photography, and performance, over the span of six decades. He emerged on the American art scene at the time that Abstract Expressionism was dominant, and through the course of his practice he challenged the gestural abstract painting and the model of ...