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A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge (1851–52) is the full, exhibited title of a painting by John Everett Millais, and was produced at the height of his Pre-Raphaelite period.
5 de feb. de 2024 · John Everett Millais. Reino Unido, 1852. Romanticismo. Pre-Rafaelitas. Título original: A Huguenot, on St. Bartholomew’s Day, refusing to shield himself from danger by wearing the roman catholic badge. Colección particular. Técnica: Óleo (92,71 × 64,13 cm) Escrito por: Laura Cabrera Guerrero.
14 de oct. de 2023 · A Huguenot also known as A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge is an oil on canvas painted by artist John Everett Millais in 1852. The title of the painting refers to the historical event of St. Bartholomew's Day massacre in 1572, a day in which some Huguenots (French ...
The incident refers to the St. Bartholomew's Day massacre in 1572 when French Protestants (Huguenots) were massacred in Paris, leading to other massacres elsewhere in France. A small number of Protestants escaped from the city by wearing white armbands.
John Everett Millais (Southampton, Reino Unido, 8 de junio de 1829 – Londres, 13 de agosto de 1896) fue un pintor e ilustrador inglés, destacado en el arte romántico, [1] miembro fundador de la Hermandad Prerrafaelita.
“The Old Feelings of Men in a New Garment”: John Everett Millais’s A Huguenot and Masculine Audiences in the Mid-Nineteenth Century Jo Briggs is Assistant Curator for Eighteenth- and Nineteenth-Century Art at the Walters Art Museum in Baltimore, Maryland.
A Huguenot on St Bartholomew's Day (A Huguenot, on St. Bartholomew's Day, Refusing to Shield Himself from Danger by Wearing the Roman Catholic Badge) is a Pre Raphaelite Oil on Canvas Painting created by John Everett Millais in 1852.
