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Katherine Stieglitz, or Katherine Stieglitz Stearns, (September 27, 1898 – November 20, 1971) was the daughter of Emmeline, or Emmy, and Alfred Stieglitz, an American photographer and modern art promoter. She was the subject of many of her father's photographs, particularly in her early years.
Stieglitz, Katherine (“Kitty”) (1898–1971) Born in 1898, Katherine (“Kitty”) Stieglitz was the only child of Alfred Stieglitz and his first wife, Emmy. She graduated from Smith College in 1921 and married Milton Sprague Stearns in 1922.
Katherine Stieglitz. 1905 Alfred Stieglitz (American, 1864–1946) Stieglitz's earliest surviving photographic subjects tend toward travel views and scenes of rural life. These photographs of family members, here his daughter Katherine, suggest a transition to more personal subject matter around the turn of the century.
Born in 1898, Katherine “Kitty” Stieglitz was the only child of Alfred and his first wife Emmy. She graduated from Smith College in 1921, and married Milton Sprague Stearns in 1922. After giving birth to a son, Milton Sprague Stearns, Jr., in 1923, she suffered a postpartum depression from which she never recovered.
Title: Katherine Stieglitz. Artist: Edward J. Steichen (American (born Luxembourg), Bivange 1879–1973 West Redding, Connecticut) Date: 1907. Medium: Autochrome. Dimensions: 16.3 x 11.3 cm (6 7/16 x 4 7/16 in.) Classification: Transparencies. Credit Line: Alfred Stieglitz Collection, 1955. Accession Number: 55.635.13
The Autochrome Lumière was an early color photography process patented in 1903 [1] by the Lumière brothers in France and first marketed in 1907. [2] Autochrome was an additive color [3] "mosaic screen plate" process. It was the principal color photography process in use before the advent of subtractive color film in the mid-1930s.
Katherine, 1905. Se trata de un retrato de su primera esposa, Katherine. La fotografía se considera una obra maestra, y es una de las obras más famosas de Alfred Stieglitz. Fue tomada en una época en la que Alfred Stieglitz experimentaba con la nueva forma de fotografía llamada pictorialismo (de la que te hablábamos en el apartado anterior).
