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James Henry Rubin is an American art historian and a professor of history at Stony Brook University in Stony Brook, New York . Early life and education. James Rubin was born on May 4, 1944. He was educated at Phillips Andover, Yale (B.A.), Harvard (PhD) and the Institut d'Art et d'Archéologie of the Sorbonne in Paris (license-ès-lettres). Career.
James H. Rubin is one of the world's foremost specialists in the history, theory and criticism of nineteenth century avant-garde European Art, especially that of France. He has taught courses at the graduate and undergraduate level.
James Henry Rubin is an art historian specializing in the history, theory and criticism of nineteenth-century European art, especially that of France. He is currently Professor of Art History at The State University of New York at Stony Brook, where he was department chair for fifteen years.
JAMES HENRY RUBIN, Realism and Social Vision in Courbet & Proudhon, Princeton University Press, 1980. Pp. xvii + 177; 1 color, 35 black and white ills. $18.50, paper $8.95. This is an intelligently written book. James H. Rubin, well known for his articles on French painting around 1800, demonstrates in
3 de abr. de 2008 · Rubin's Impressionism and the Modern Landscape successfully fills this gap, approaching the new industrial landscape as an image of modern productivity essential for the pursuit of bourgeois...
25 de may. de 1999 · This comprehensive study brings together the most recent research on Impressionism. James Rubin makes accessible its philosophical, political and social context, from Baudelaire's conception to the painter of modern life, to the influences of photography, the burgeoning art market, and contemporary notions of gender and race.
What Rubin seeks to do in recounting the importance of Monet’s Water Lilies in relation to literature, decoration, gender, philosophy, and politics may seem novel for a history of art meant to reach non-specialist readers (or perhaps wide-eyed due to present-day ideological and political divisions).
