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William-Adolphe Bouguereau (La Rochelle, 30 de noviembre de 1825-ibídem, 19 de agosto de 1905) fue un pintor francés del academicismo . Alumno de Francois-Édouard Picot en París con 21 años y pensionado en la Villa Médici romana con 25. Hombre fuerte del academicismo francés, primer presidente del departamento de pintura de la Sociedad ...
William-Adolphe Bouguereau was a French painter, a dominant figure in his nation’s academic painting during the second half of the 19th century. Bouguereau entered the École des Beaux-Arts in 1846 and was awarded the Prix de Rome in 1850. Upon his return to France from four years’ study in Italy,
Excerpt from the Biography of William Bouguereau, by Damien Bartoli and Frederick C. Ross:'William Bouguereau is unquestionably one of history's greatest artistic geniuses. Yet in the past century, his reputation and unparalleled accomplishments have undergone a libelous, dishonest, relentless and systematic assault of immense proportions. His name was stricken from most history texts and when ...
William-Adolphe Bouguereau was born in 1825 in La Rochelle, a traditionally Protestant city on France's south-west coast. His father was a modestly successful wine and olive oil merchant and a Roman Catholic, while his mother was from a middle-class Calvinist family. Compromising on their children's religious education, they decided to raise ...
威廉·阿道夫·布格罗（法語： William Adolphe Bouguereau ，1825年11月30日—1905年8月19日），是19世纪末的法国 学院派最重要的畫家之一。 布格羅的繪畫常以神話為靈感，以19世紀的現實主義繪畫技巧來詮釋古典主義的題材，並且經常以女性的軀體作為描繪對象 。 布格羅在世時，榮譽眾多，在法國和美國 ...
William Adolphe Bouguereau. William Adolphe Bouguereau [ vijɑ̃ adɔlf buɡø'ʁo] (auch Adolphe-William Bouguereau; * 30. November 1825 in La Rochelle ( Département Charente-Maritime ); † 19. August 1905 ebenda) war ein französischer Maler des 19. Jahrhunderts und gilt als Meister des Akademischen Klassizismus und des Klassischen Realismus .
William Adolphe Bouguereau (La Rochelle, 1825-1905) Pintor francés. William Adolphe Bouguereau encarnó el modelo de artista académico tradicional, ajeno a cualquier aire de renovación e imbuido por el ideal de belleza clásica, que llevó a sus lienzos con exquisita técnica y minucioso acabado, en equilibradas y evocadoras composiciones de temática idealizada.
