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Evelyn De Morgan (Londres, 30 de agosto de 1855 - 2 de maio de 1919) foi uma pintora britânica integrante do movimento da Irmandade Pré-Rafaelita [1] muito embora por suas características possa melhor ser definida como simbolista. [2] Ela foi seguidora do Pré-Rafaelita Burne-Jones. [3]
Flora. En la trayectoria de Evelyn de Morgan vemos una estética exhaustivamente minuciosa, colorida y popular, donde plasmará sus preocupaciones socio-políticas a través de alegorías, episodios y escenas fácilmente reconocibles por el público, como las procedentes de la mitología clásica o la literatura inglesa, donde las mujeres allí ...
August 30, 1855. May 2, 1919. • Pre Raphaelites • Wikipedia: Evelyn De Morgan. Evelyn De Morgan was one of the few very successful English artists of her time. Women were severely underrepresented in the arts at the time. She belonged to the Pre-Raphaelite group. This group of artists formed in England in the middle of the 19th century.
Evelyn De Morgan (n. 30 august 1855, Londra, Anglia, Regatul Unit – 2 mai 1919, Londra, Anglia, Regatul Unit) a fost o pictoriță engleză ale cărei lucrări au fost influențate de stilul mișcării prerafaelite. A fost o adeptă a lui Edward Burne-Jones, un alt pictor prerafaelit.
Evelyn De Morgan; William De Morgan; Wilhelmina Stirling; John Roddam Spencer Stanhope; Mary De Morgan; Stories. Beauties and Beasts; Dodos and Dragons; Caring for the Collection; The Foundation. Who We Are; What We Do; Ambassadors; ... Search the De Morgan Collection. Search by Keyword;
Material: Oil on canvas. Dimensions: Framed: H 1041.4 x W 520.7 mm. Inscriptions: Signature, 1903: EDeM 1903 . Description: Evelyn De Morgan painted several subjects using medieval themes and stylistic devices which had been made popular by the Pre-Raphaelites, these paintings included Queen Eleanor and the Fair Rosamund and The Hour Glass .
Dimensions: Canvas: H 930 x W 1128 mm Framed: H 1415 x W 1110 x D 80 mm. Inscriptions: Signature, 1880: EP 1880 . Description: The theme of death was an increasingly common theme in Evelyn s oeuvre as time went by. The Angel of Death I is the most overt representation of the subject and demonstrates Evelyn s spiritualist belief that death is to ...
