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Georges de Feure (real name Georges Joseph van Sluijters) was a French painter, theatrical designer, and industrial art designer in the symbolism and Art Nouveau styles. De Feure was born in Paris. His father was an affluent Dutch architect, and his mother was Belgian. De Feure had two sons, Jean Corneille and Pierre Louis, in the early 1890s ...
Georges de Feure was a painter, decorator, illustrator, and designer of furniture, jewelry, fabrics and a great many other items emblematic of Parisian Art Nouveau. Up until 2015, there were very few of his works in Musée d’Orsay’s collections, which do not include any objects designed by this prolific artist. ...
Georges de Feure (French, Paris 1868–1943 Paris) n.d. Design for a Hallway with Wrought-iron Details. Georges de Feure (French, Paris 1868–1943 Paris) ca. 1925. Comedie Parisienne, La Loïe Fuller Dans Sa Création Nouvelle, Salomé ...
EXHIBITION: The Copenhagen example was the one made by Georges de Feure for his 'boudoir' shown at the Paris Universal Exhibition in 1900. It was acquired by the museum, along with several other pieces of Art Nouveau shortly after the show. LITERATURE: Ian Millman, Georges de Feure, Maître du Symbolisme et de l'Art Nouveau, 1992, page 152 ...
Georges de Feure was an artist, designer, and interior decorator based in Paris around 1900. He was one of three artists chosen by Siegfried Bing to design interiors for Bing’s pavilion at the World’s Fair in Paris in 1900. De Feure designed stained-glass windows, textiles, carpets, glassware, and furniture for a boudoir. ...
Georges de Feure (1868-1943) was one of Europe’s most important Art Nouveau artists. A painter and printmaker at heart, de Feure also dabbled in decorative arts, designing furniture, vases, candle sticks, etc. After some art studies in Amsterdam, where he had mostly grown up, he launched a visible career in Paris by
An old bearded man and two naked boys with linked arms form the vanguard of the extraordinary march. In creating this provocative work, De Feure was possibly inspired by two historical events associated with Bruges: the procession of Saint-Sang that occurs on the day of the Ascension in commemoration of the relic brought back in 1149 from the ...
