Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. 22 de abr. de 2012 · I remember first hearing the music of Paul Siebel at fellow forum member Dennis Metz's place back in the '70s. Siebel released two fine LPs on Elektra...

  2. www.urban.ne.jp › home › koa7www.urban.ne.jp

    Appalachian Swing is one of the most influential albums in the whole of bluegrass music, primarily because of the stunning playing of Clarence White. With his vibrant, innovative flatpicking, White helped pioneer a new style in bluegrass - - namely, redfining the acoustic guitar as a solo instrument instead of confining it to just background status. The sound was revolutionary upon its release ...

  3. Engineer – Bill Lazerus, Fritz Richmond, Greg Fulginiti Lead Guitar – Bob Warford, Clarence White (2) Mandolin – David Grisman Mixed By [Re-mixing] – Bruce Morgan Pedal Steel Guitar – Buddy Emmons Performer [Other Sidemen] – Bernie Leadon, Doug Kershaw, Gary White (5), Paul Dillon (4), Peter Ecklund, Peter Kubaska, Ralph Lee Smith

  4. 14 de ene. de 2020 · Siebel, a talented songwriter, had strong critical acclaim for these recordings, and many artists covered his songs. 'Jack-Knife Gypsy' was particularly blessed with top-class session men such as Clarence White, Russ Kunkel, Doug Kershaw and Seatrain's Richard Greene.

  5. Paul Siebel is a folk singer-songwriter who recorded this song in 1978. It's a long way to Nashville, but he sings with passion and sincerity about his musical journey. Listen to his voice and ...

  6. Engineer – Bill Lazerus, Fritz Richmond, Greg Fulginiti Lead Guitar – Bob Warford, Clarence White (2) Mandolin – David Grisman Mixed By [Re-mixing] – Bruce Morgan Pedal Steel Guitar – Buddy Emmons Performer [Other Sidemen] – Bernie Leadon, Doug Kershaw, Gary White (5), Paul Dillon (4), Peter Ecklund, Peter Kubaska, Ralph Lee Smith

  7. Clarence White is a writer, editor, typewriter poet, curator, and arts administrator. His publications are included in several editions of Saint Paul Almanac, Suisun Valley Review, Public Art Review, and Martin Lake Journal, and his essay “Smart Enough for Ford” appears in the anthology Blues Vision: African American Writing from Minnesota.