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Jacques-Louis David (French: [ʒaklwi david]; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. ... David was able to sketch Napoleon in 1797. David recorded the face of the conqueror of Italy, but the full composition of Napoleon holding the peace treaty ...
Jacques-Louis David (Parijs, 30 augustus 1748 – Brussel, ... Napoleon zelf zou gevonden hebben dat David hem 'te dik' had geschilderd. Als een van de ondertekenaars van de doodstraf voor Lodewijk XVI (in januari 1793) werd David in 1816 verbannen. Een uitnodiging om naar Berlijn te komen sloeg hij af.
30 de sept. de 2015 · L’eroico passaggio tra la poco amichevole catena delle Alpi è sempre stato un tema molto amato dai pittori: devi sapere, infatti, che William Turner, un pittore inglese, contemporaneo di Jacques-Louis David, dipinse una tela del momento in cui Annibale valica le Alpi.
The art of Jacques Louis David embodies the style known as Neoclassicism, ... Gros, who had painted Napoleon as a young general in Italy in 1796, reveals his mastery of the Napoleonic propaganda machine in his Napoleon in the Plague House at Jaffa of 1804 (Louvre), an image from Napoleon’s Middle Eastern campaign. Gros’ portrayal of ...
Jacques-Louis David (wym. [ ʒ a kk ə - l w i d a v i ]; ur. 30 sierpnia 1748 w Paryżu, zm. 29 grudnia 1825 w Brukseli) – francuski malarz, główny reprezentant klasycyzmu, nadworny malarz Napoleona Bonapartego. Uważany za filar sztuki oświecenia, oficjalny artysta rewolucji francuskiej, stworzył czytelny i nośny symbol rewolucyjny ...
Napoleon Crossing the Alps, oil equestrian portrait by celebrated French artist Jacques-Louis David that was completed in 1801. This idealized portrait is perhaps the most powerful portrayal of Napoleon. David was the ultimate political artist. He was a fervent advocate of the French Revolution (1787–99), almost losing his life on the ...
By Ben Pollitt. Jacques-Louis David, Napoleon Crossing the Alps or Bonaparte at the St Bernard Pass, 1800–01, oil on canvas, 261 x 221 cm (Chateau de Malmaison, Rueil-Malmaison) Some find it stiff and lifeless, proof of Jacques-Louis David’s ineptness at capturing movement. Some see it not as art, but propaganda, pure and simple.
