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  1. Holman Hunt was doing studies as early as 1850 for his late oil The Lady of Shalott . DGR's collaborative photographs—see his extraordinary series of photographs of Jane Morris —demonstrate his active pursuit of this medium as a form of artistic expression. Nearly all of the period's innovative photographers either knew and worked with DGR ...

  2. Fanny Cornforth was discovered by the Pre-Raphaelite artist Dante Gabriel Rossetti as she had dinner at an event celebrating Florence Nightingale's return from the Crimean War. From that point onwards, she became one of the most divisive characters in Pre-Raphaelite art history. Rossetti's friends found her common and abrasive and his ...

  3. Fanny Cornforth (1826-1906), whose real name was Sarah Cox, entered Rossetti's life in the late 1850s. She herself, in one of two contradictory accounts, dated their meeting to 1856 during a firework display in the Surrey Gardens to mark Florence Nightingale's return from the Crimea. According to William Bell Scott, however, Rossetti 'met her ...

  4. Media in category "Fanny Cornforth". The following 21 files are in this category, out of 21 total. The Blue Bower, by Dante Gabriel Rossetti.jpg 2,352 × 2,799; 2.32 MB. Dante Gabriel Rossetti - 'Fanny Cornforth', graphite on paper, 1869.jpg 1,416 × 2,008; 349 KB. Dante Gabriel Rossetti - Bottles.jpg 800 × 863; 269 KB.

  5. Fanny Cornforth, eigenlijk Sarah Cox (Steyning, Sussex, 1824 – Londen, 1906) was een model en de muze van prerafaëlitische kunstschilder Dante Gabriel Rossetti. Leven. Cornforth stamde uit de lagere Londense arbeidersklasse. In 1858 ontmoette ze de ...

  6. he attributes applied to artists' model, companion and carer Fanny Cornforth (1835-1909) are almost exclusively negative. Unlike her fellow models, Fanny had no artistic ambition, nor did she improve her accent or remain quiet and demure. When biographers refer to her, Fanny is a combination of pejorative terms, being described as a thief, as ...

  7. 2 de dic. de 2019 · Fanny Cornforth was a working class, country girl, who never managed to shake off that label. Rossetti valued her for her looks and her body, her comfort and devotion, but not her intellect.