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Antonio Canova, Autoritratto, 1792, olio su tela, 68x55 cm, Firenze, Galleria degli Uffizi. Antonio Canova ( Possagno, 1º novembre 1757 – Venezia, 13 ottobre 1822) è stato uno scultore e pittore italiano, ritenuto il massimo esponente del Neoclassicismo in scultura e soprannominato per questo «il nuovo Fidia ».
Antonio Canova (Possagno, 1757. november 1. – Possagno, 1822. október 13.) velencei szobrász. A barokk stílustól eltávolodva, az antik művészet ideáljaihoz nyúlt vissza, és a szobrászati klasszicizmus megalapítójaként tartják számon. Művészete hatásos, fegyelmezett, de kevés érzelmet mutat.
Antonio Canova - Cele trei Grații. Antonio Canova (n. 1 noiembrie 1757, Possagno, Veneto, Italia – d. 13 octombrie 1822, Veneția, Imperiul Austriac), a fost un sculptor italian, cel mai de bază reprezentant al neoclasicismului în sculptura europeană,model pentru academiștii secolului XIX.Lucrările sale sunt adunate în muzeul Luvru din Paris și Ermitajul din Sankt Petersburg.
Paolina Borghese jako Venuše; 1804-1806, Galerie Borghese, Řím. Reliéfní portrét Antonia Canovy na Justiční akademii v Kroměříži. Antonio Canova se narodil na úpatí Alp nedaleko Trevisa v benátském kraji. Když mu byly tři roky, zemřel jeho otec (kamenosochař komorních plastik), matka se znovu vdala a Antonio zůstal na ...
Antonio Cánovas del Castillo. Cánovas del Castillo, Antonio. Málaga, 8.XI.1828 – Santa Águeda (Guipúzcoa), 8.VIII.1897. Estadista (artífice de la Restauración) e historiador. Nació en el seno de una familia ilustrada, pero modesta: el padre era maestro de primera enseñanza; la madre, prima del destacado escritor Serafín Estéba ...
Antonio Canova was born in 1757 in Possagno, a small town in northern Italy, to a family of stonecutters and sculptors. From his early teens he trained with several local sculptors, before moving to Venice where he was able to start an independent career. At around the age of 20 he carved his first marbles, Eurydice and Orpheus and Daedalus and ...
Antonio Canova was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists, his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.
