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  1. 2 de nov. de 2022 · La mère de l’artiste, Anna McNeill Whistler (1804–1881), est devenue veuve en 1849. Elle a quitté l’Amérique en 1863 pour échapper à la guerre civile et a déménagé à Londres pour vivre avec son fils. Elle a une histoire qui fait d’elle une femme forte et en même temps éprouvée. Et aussi pour cette raison, cette œuvre est ...

  2. 12 de may. de 2024 · Anna McNeill Whistler gave birth to five children, of whom only two survived into adulthood. In 1842, she and her three young sons, including James, accompanied her husband to Russia where he worked as a railway engineer. After her husband died of cholera in 1849, Anna returned to America, living in much-reduced circumstances. At the suggestion ...

  3. 28 de abr. de 2020 · Anna Matilda McNeill Whistler BIRTH 27 Sep 1804 Wilmington, New Hanover County, North Carolina, USA DEATH 31 Jan 1881 (aged 76) Hastings, Hastings Borough, East Sussex, England BURIAL Hastings Cemetery and Crematorium Hastings, Hastings Borough, East Sussex, England.

  4. 13 de oct. de 2012 · Wikipedia Entry for Anna McNeill Whistsler. ‘Anna Matilda (née McNeill) Whistler (September 27, 1804 – January 3, 1881) was the mother of American-born, British-based painter, James McNeill Whistler, who made her the subject of his famous painting ‘Arrangement in Grey & Black No.1,’ often titled, Whistler’s Mother.

  5. 18 de jul. de 2022 · An early painting by 19th century American artist James McNeill Whistler is the focus of an exhibition at Washington D.C.'s National Gallery of Art.The big and fascinating show does not feature ...

  6. La madre de la artista, Anna McNeill Whistler (1804-1881), en realidad enviudó en 1849. Dejó América en 1863 para escapar de la guerra civil y se mudó a Londres para vivir con su hijo. Tiene una historia que la convierte en una mujer fuerte y al mismo tiempo probada. Y también por esta razón, este trabajo se ha convertido en el símbolo ...

  7. 11 de jun. de 2017 · Despite Whistler’s intentions, the portrait of Anna McNeill Whistler has thus become an icon of motherhood, beloved by Americans but rarely seen in the United States. In March, Whistler’s masterpiece returns to Chicago for the first time in over 60 years. The fame of this iconic work is considered in a focused installation of approximately ...